What happens when you take photos of a high-octane sport like NASCAR with expired film from as early as 1975? You get Expired at Daytona 500, a photo series by Chip Litherland.
This was an awesome experience to approach a shoot with a different process – and that art-making process gets lost in the craziness of this business. Getting imagery out to the world in the matter of seconds just because we can seems to have taken over the fun and thought of what it was like in the film days (which makes me sound old at 38). Slowing down that process and having an interactive, personal experience with pictures is something I’m so happy to bring back into my workflow – if even for just a single shoot.
I’d love to see this kind of thing for F1.